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Here are all the paintings of Salvator Rosa 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 20580 |
 |
A Herois Battle (mk05) |
Canvas,84 1/4 x 138 1/4''(214 x 351 cm)Commissioned by the Papal Nuncio Monseigneur Corsini in 1652 in homage to Louis XIV Presented and added to the collection in 1664 |
| 29319 |
 |
A Man |
mk65
1640s
Oil on canvas
31x25 1/2"
|
| 51277 |
 |
Anchorites Tempted by Demons |
1660-65
Oil on canvas
65 x 83 cm |
| 39629 |
 |
Astraea Leaving the earth |
mk150
c.1660/65
Canvas
267.3x169.5cm
|
| 31010 |
 |
Bataille heroique |
mk70
Toile
H.2.14
L.3.51
Paris.Musee du Louvre
|
| 29078 |
 |
Democritus and Protagoras |
mk65
1650s
Oil on canvas,transferred from panel
73x50"
|
| 33586 |
 |
Democritus in Meditation |
mk86
c.1650
Oil on canvas
344x214cm
Copenhagen,StatensMuseum of Kunst
|
| 21544 |
 |
Democritus in Meditation (mk08) |
c.1650
Oil on canvas.
344x214cm
Copenhagen,Statens Museum for Kunst |
| 91900 |
 |
Heraklit und Demokrit |
um 1645/1649
Medium oil on canvas
7 cm x 116 cm
cjr |
| 76349 |
 |
Jacob Dream |
Jacob's Dream, oil on canvas painting by Salvator Rosa, c. 1665
cjr |
| 78194 |
 |
Jacob s Dream |
oil on canvas painting by Salvator Rosa, c. 1665
Date c. 1665
Source ArtDaily.com
cyf |
| 3571 |
 |
Jason Charming the Dragon |
Montreal Museum of Fine Arts |
| 80955 |
 |
Jason Charming the Dragon |
oil on canvas painting by Salvator Rosa, about 1665-1670, The Montreal Museum of Fine Arts
Date about 1665-1670
Source Artdaily.org
cyf |
| 77704 |
 |
Jason Charming the Dragon, |
Jason Charming the Dragon, oil on canvas painting by Salvator Rosa, about 1665-1670, The Montreal Museum of Fine Arts
cjr |
| 66708 |
 |
L ombre de Samuel apparaissant a Saul chez la pythonisse d Endor. |
273 ?? 193 cm (107.48 ?? 75.98 in)
Oil on canvas
1668
|
| 98307 |
 |
Landscape with Tobit and the angel |
oil on canvas, circa 1670. Accession number 181
cyf |
| 58167 |
 |
Lies |
mk261 canvas painting, Florence, Palatina Gallery, Pitti Palace. |
| 29079 |
 |
Odysseus and Nausicaa |
mk65
1650s
Oil on canvas
transferred from panel
76 1/2x56 1/2"
|
| 41014 |
 |
Portrait of a man |
mk159
1640s
Oil on canvas
78x64.5cm
|
| 83683 |
 |
portrait Wolfang Amadeus Mozart |
Date January 1770
cyf |
| 69554 |
 |
Pythagoras Emerging from the Underworld |
oil on canvas painting by Salvator Rosa |
| 28990 |
 |
Seascape at Sunset |
mk65
Oil on canvas
91 3/4x157 1/16in
Pitti,Palatine Gallery
|
| 30007 |
 |
Seascape with Towers |
mk67
Oil on canvas
40 3/16x50in
Pitti,Palatine Gallery
|
| 43099 |
 |
Self portrait |
mk170
circa 1645
Oil on canvas
116.3x94cm
|
| 3573 |
 |
Self Portrait vvv |
Metropolitan Museum of Art, New York |
| 3574 |
 |
Self Portrait vvv |
Metropolitan Museum of Art, New York |
| 56074 |
 |
self portrait as a philosopher |
mk247
c.1645,oil on canvas,45x37 in,116.3x94 cm,national gallery,london,uk |
| 3572 |
 |
Self Portrait bbb |
|
| 92838 |
 |
Self-portrait |
Oil on canvas, 1163 x 940mm (45 3/4 x 37").
c.1645
cjr |
| 23467 |
 |
self-Portrait (nn03) |
c 1640 Oil on canvas 116 x 94 cm 45 3/4 x 37 in National Gallery London |
| 28122 |
 |
The Gulf of Salerno |
mk61
1640-1645
Oil on canvas
170x260cm
|
| 28989 |
 |
The Lie |
mk65
Oil on canvas
53 9/16x37 13/16in
Pitti,Palatine Gallery
|
| 28988 |
 |
The Ruined Bridge |
mk65
Oil on canvas
77 3/16x50in
Pitti,Palatine Gallery
|
| 20579 |
 |
The Spirit of Samuel Called up before Saul by the Witch of Endor (mk05) |
1668
Canvas,107 1/2 x 76''(273 x 193 cm)Entered the collection of Louis XIV before 1693 INV |
| 81782 |
 |
Wolfang Amadeus Mozart |
January 1770(1770-01)
Medium Oil on canvas
cyf |
|
|
| Salvator Rosa
|
| 1615-1673
Italian
Salvator Rosa Galleries
Salvatore Rosa (1615 - March 15, 1673) was an Italian Baroque painter, poet and printmaker, active in Naples, Rome and Florence. As a painter, he is best known as an "unorthodox and extravagant" and a "perpetual rebel" proto-Romantic. His life and writings were equally colorful.
He continued apprenticeship with Falcone, helping him complete his battlepiece canvases. In that studio, it is said that Lanfranco took notice of his work, and advised him to relocate to Rome, where he stayed from 1634-6.
Returning to Naples, he began painting haunting landscapes, overgrown with vegetation, or jagged beaches, mountains, and caves. Rosa was among the first to paint "romantic" landscapes, with a special turn for scenes of picturesque often turbulent and rugged scenes peopled with shepherds, brigands, seamen, soldiers. These early landscapes were sold cheaply through private dealers. This class of paintings peculiarly suited him.
He returned to Rome in 1638-39, where he was housed by Cardinal Francesco Maria Brancaccio, bishop of Viterbo. For the Chiesa Santa Maria della Morte in Viterbo, Rosa painted his first and one of his few altarpieces with an Incredulity of Thomas.
While Rosa had a facile genius at painting, he pursued a wide variety of arts: music, poetry, writing, etching, and acting. In Rome, he befriended Pietro Testa and Claude Lorraine. During a Roman carnival play he wrote and acted in a masque, in which his character bustled about Rome distributing satirical prescriptions for diseases of the body and more particularly of the mind. In costume, he inveighed against the farcical comedies acted in the Trastevere under the direction of Bernini.
While his plays were successful, this also gained him powerful enemies among patrons and artists, including Bernini himself, in Rome. By late 1639, he had had to relocate to Florence, where he stayed for 8 years. He had been in part, invited by a Cardinal Giancarlo de Medici. Once there, Rosa sponsored a combination of studio and salon of poets, playwrights, and painters --the so called Accademia dei Percossi ("Academy of the Stricken"). To the rigid art milieu of Florence, he introduced his canvases of wild landscapes; while influential, he gathered few true pupils. Another painter poet, Lorenzo Lippi, shared with Rosa the hospitality of the cardinal and the same circle of friends. Lippi encouraged him to proceed with the poem Il Malmantile Racquistato. He was well acquainted also with Ugo and Giulio Maffei, and housed with them in Volterra, where he wrote four satires Music, Poetry, Painting and War. About the same time he painted his own portrait, now in the National Gallery, London.
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